How low can you go? With the Beta 52A, it's pretty darn low. This
microphone specially designed for all kinds of bass, from kick drums to
bass guitars. The Beta 52A will make your bass BOOM instead of getting
lost in a swampy thud. The frequency response is 20Hz to 10kHz, and the
mic is built to withstand the daily abuse of road work. Its
supercardioid pattern aids isolation and it can handle up to 174dB SPL.
For big bass sounds on stage or in the studio, it's the Beta 52A.
Shure Beta 52A at a Glance:
Amazing Kick Stage Mic
Great for Studio Work
Rugged Reliability
Amazing Kick Stage Mic The
supercardioidcardioid pickup pattern limits interference from other
on-stage sound sources and reduces feedback. The frequency response is
perfectly tailored for bass instruments with a 20Hz to 10kHz frequency
response with a presence boost at 4kHz to let electric basses and kick
drums cut through the mix.
Great for Studio Work In the
studio, the Beta 52A excels on low-frequency sound sources.
Supercardioid mics have a tendency toward increased proximity effect.
Since the Beta 52A sports a supercardioid pickup pattern, positioning
the mic closer to sound sources results in a bigger bottom-end response.
This is great for tailoring the sound for the specific project.
Rugged Reliability Like
all Shure mics, the Beta 52A is built like a tank, meaning that you can
travel with it from gig to gig and rest assured that it will last.
Shure mics are famous for their bulletproof construction, and the Beta
52 is no exception. Night after night, the Beta 52A will perform!
Shure Beta 52A Features:
Perfect for kick drum and other low frequency information
20Hz to 10kHz, presence boost at 4kHz
Strong proximity effect for tonal variation
Supercardioid pickup pattern for excellent isolation
Max SPL: 174dB
Shure Beta 52A - Great kick and bass sounds on stage or in the studio!
Mixer
